LilyPond Notation Reference: 1.3.1 Expressive marks attached to notes

### 1.3.1 Expressive marks attached to notes

This section explains how to create expressive marks that are attached to notes: articulations, ornamentations, and dynamics. Methods to create new dynamic markings are also discussed.

#### Articulations and ornamentations

A variety of symbols that denote articulations, ornamentations, and other performance indications can be attached to a note using this syntax:

>     note\name

The possible values for `name` are listed in List of articulations. For example:

>     c4\staccato c\mordent b2\turn
>     c1\fermata

Some of these articulations have shorthands for easier entry. Shorthands are appended to the note name, and their syntax consists of a dash `-` followed by a symbol signifying the articulation. Predefined shorthands exist for marcato, stopped, tenuto, staccatissimo, accent, staccato, and portato. Their corresponding output appears as follows:

>     c4-^ c-+ c-- c-|
>     c4-> c-. c2-_

The rules for the default placement of articulations are defined in ‘`scm/script.scm`’. Articulations and ornamentations may be manually placed above or below the staff; see Direction and placement.

Articulations are `Script` objects. Their properties are described more fully in Script.

Articulations can be attached to rests as well as notes but they cannot be attached to multi-measure rests. A special predefined command, `\fermataMarkup`, is available for attaching a fermata to a multi-measure rest (and only a multi-measure rest). This creates a `MultiMeasureRestText` object.

>     \override Script #'color = #red
>     \override MultiMeasureRestText #'color = #blue
>     a2\fermata r\fermata
>     R1\fermataMarkup

In addition to articulations, text and markups can be attached to notes. See Text scripts.

For more information about the ordering of Scripts and TextScripts that are attached to the notes, see Placement of objects.

#### Selected Snippets

Modifying default values for articulation shorthand notation

The shorthands are defined in ‘`ly/script-init.ly`’, where the variables `dashHat`, `dashPlus`, `dashDash`, `dashBar`, `dashLarger`, `dashDot`, and `dashUnderscore` are assigned default values. The default values for the shorthands can be modified. For example, to associate the `-+` (`dashPlus`) shorthand with the trill symbol instead of the default + symbol, assign the value `trill` to the variable `dashPlus`:

>     \relative c'' { c1-+ }

>     dashPlus = "trill"

>     \relative c'' { c1-+ }

Controlling the vertical ordering of scripts

The vertical ordering of scripts is controlled with the `'script-priority` property. The lower this number, the closer it will be put to the note. In this example, the `TextScript` (the sharp symbol) first has the lowest priority, so it is put lowest in the first example. In the second, the prall trill (the `Script`) has the lowest, so it is on the inside. When two objects have the same priority, the order in which they are entered determines which one comes first.

>     \relative c''' {
>       \once \override TextScript #'script-priority = #-100
>       a2^\prall^\markup { \sharp }

>       \once \override Script #'script-priority = #-100
>       a2^\prall^\markup { \sharp }
>     }

Creating a delayed turn

Creating a delayed turn, where the lower note of the turn uses the accidental, requires several overrides. The `outside-staff-priority` property must be set to `#f`, as otherwise this would take precedence over the `avoid-slur property`. The value of `halign` is used to position the turn horizontally.

>     \relative c'' {
>       \once \override TextScript #'avoid-slur = #'inside
>       \once \override TextScript #'outside-staff-priority = ##f
>       c2(^\markup \tiny \override #'(baseline-skip . 1) {
>         \halign #-4
>         \center-column {
>           \sharp
>           \musicglyph #"scripts.turn"
>         }
>       }
>       d4.) c8
>     }

#### See also

Music Glossary: tenuto, accent, staccato, portato.

Learning Manual: Placement of objects.

Notation Reference: Text scripts, Direction and placement, List of articulations, Trills.

Installed Files: ‘`scm/script.scm`’.

Snippets: Expressive marks.

Internals Reference: Script, TextScript.

#### Dynamics

Absolute dynamic marks are specified using a command after a note, such as `c4\ff`. The available dynamic marks are `\ppppp`, `\pppp`, `\ppp`, `\pp`, `\p`, `\mp`, `\mf`, `\f`, `\ff`, `\fff`, `\ffff`, `\fffff`, `\fp`, `\sf`, `\sff`, `\sp`, `\spp`, `\sfz`, and `\rfz`. Dynamic marks may be manually placed above or below the staff; see Direction and placement.

>     c2\ppp c\mp
>     c2\rfz c^\mf
>     c2_\spp c^\ff

A crescendo mark is started with `\<` and terminated with `\!`, an absolute dynamic, or an additional crescendo or decrescendo mark. A decrescendo mark is started with `\>` and is also terminated with `\!`, an absolute dynamic, or another crescendo or decrescendo mark. `\cr` and `\decr` may be used instead of `\<` and `\>`. Hairpins are engraved by default using this notation.

>     c2\< c\!
>     d2\< d\f
>     e2\< e\>
>     f2\> f\!
>     e2\> e\mp
>     d2\> d\>
>     c1\!

A hairpin that is terminated with `\!` will end at the right edge of the note that has the `\!` assigned to it. In the case where it is terminated with the start of another crescendo or decrescendo mark, it will end at the centre of the note that has the next `\<` or `\>` assigned to it. The next hairpin will then start at the right edge of the same note instead of the usual left edge had it been terminated with `\!` before.

>     c1\< | c4 a c\< a | c4 a c\! a\< | c4 a c a\!

Hairpins that are terminated with absolute dynamic marks instead of `\!` will also be engraved in a similar way. However, the length of the absolute dynamic itself can alter where the preceding hairpin ends.

>     c1\< | c4 a c\mf a | c1\< | c4 a c\ffff a

Spacer rests are needed to engrave multiple marks on one note. This is particularly useful when adding a crescendo and decrescendo to the same note:

>     c4\< c\! d\> e\!
>     << f1 { s4 s4\< s4\> s4\! } >>

The `\espressivo` command can be used to indicate a crescendo and decrescendo on the same note. However, be warned that this is implemented as an articulation, not a dynamic.

>     c2 b4 a
>     g1\espressivo

Textual crescendo marks begin with `\cresc`. Textual decrescendos begin with `\decresc` or `\dim`. Extender lines are engraved as required.

>     g8\cresc a b c b c d e\mf |
>     f8\decresc e d c e\> d c b |
>     a1\dim ~ |
>     a2. r4\! |

Textual marks for dynamic changes can also replace hairpins:

>     \crescTextCresc
>     c4\< d e f\! |
>     \dimTextDecresc
>     g4\> e d c\! |
>     \dimTextDecr
>     e4\> d c b\! |
>     \dimTextDim
>     d4\> c b a\! |
>     \crescHairpin
>     \dimHairpin
>     c4\< d\! e\> d\! |

To create new absolute dynamic marks or text that should be aligned with dynamics, see New dynamic marks.

Vertical positioning of dynamics is handled by DynamicLineSpanner.

A `Dynamics` context is available to engrave dynamics on their own horizontal line. Use spacer rests to indicate timing. (Notes in a `Dynamics` context will also take up musical time, but will not be engraved.) The `Dynamics` context can usefully contain some other items such as text scripts, text spanners, and piano pedal marks.

>     <<
>       \new Staff \relative c' {
>         c2 d4 e |
>         c4 e e,2 |
>         g'4 a g a |
>         c1 |
>       }
>       \new Dynamics {
>         s1\< |
>         s1\f |
>         s2\dim s2-"rit." |
>         s1\p |
>       }
>     >>

#### Predefined commands

`\dynamicUp`, `\dynamicDown`, `\dynamicNeutral`, `\crescTextCresc`, `\dimTextDim`, `\dimTextDecr`, `\dimTextDecresc`, `\crescHairpin`, `\dimHairpin`.

#### Selected Snippets

Setting hairpin behavior at bar lines

If the note which ends a hairpin falls on a downbeat, the hairpin stops at the bar line immediately preceding. This behavior can be controlled by overriding the `'to-barline` property.

>     \relative c'' {
>       e4\< e2.
>       e1\!
>       \override Hairpin #'to-barline = ##f
>       e4\< e2.
>       e1\!
>     }

Setting the minimum length of hairpins

If hairpins are too short, they can be lengthened by modifying the `minimum-length` property of the `Hairpin` object.

>     \relative c'' {
>       c4\< c\! d\> e\!
>       \override Hairpin #'minimum-length = #5
>       << f1 { s4 s\< s\> s\! } >>
>     }

Printing hairpins using al niente notation

Hairpin dynamics may be printed with a circled tip (“al niente” notation) by setting the `circled-tip` property of the `Hairpin` object to `#t`.

>     \relative c'' {
>       \override Hairpin #'circled-tip = ##t
>       c2\< c\!
>       c4\> c\< c2\!
>     }

Vertically aligned dynamics and textscripts

By setting the `'Y-extent` property to a suitable value, all `DynamicLineSpanner` objects (hairpins and dynamic texts) can be aligned to a common reference point, regardless of their actual extent. This way, every element will be vertically aligned, thus producing a more pleasing output.

The same idea is used to align the text scripts along their baseline.

>     music = \relative c' {
>       a'2\p b\f
>       e4\p f\f\> g, b\p
>       c2^\markup { \huge gorgeous } c^\markup { \huge fantastic }
>     }

>     {
>       \music
>       \break
>       \override DynamicLineSpanner #'staff-padding = #2.0
>       \override DynamicLineSpanner #'Y-extent = #'(-1.5 . 1.5)
>       \override TextScript #'Y-extent = #'(-1.5 . 1.5)
>       \music
>     }

Hiding the extender line for text dynamics

Text style dynamic changes (such as cresc. and dim.) are printed with a dashed line showing their extent. This line can be suppressed in the following way:

>     \relative c'' {
>       \override DynamicTextSpanner #'style = #'none
>       \crescTextCresc
>       c1\< | d | b | c\!
>     }

Changing text and spanner styles for text dynamics

The text used for crescendos and decrescendos can be changed by modifying the context properties `crescendoText` and `decrescendoText`. The style of the spanner line can be changed by modifying the `'style` property of `DynamicTextSpanner`. The default value is `'hairpin`, and other possible values include `'line`, `'dashed-line` and `'dotted-line`.

>     \relative c'' {
>       \set crescendoText = \markup { \italic { cresc. poco } }
>       \set crescendoSpanner = #'text
>       \override DynamicTextSpanner #'style = #'dotted-line
>       a2\< a
>       a2 a
>       a2 a
>       a2 a\mf
>     }

#### See also

Music Glossary: al niente, crescendo, decrescendo, hairpin.

Learning Manual: Articulation and dynamics.

Notation Reference: Direction and placement, New dynamic marks, What goes into the MIDI output?, Controlling MIDI dynamics.

Snippets: Expressive marks.

Internals Reference: DynamicText, Hairpin, DynamicLineSpanner, Dynamics.

#### New dynamic marks

The easiest way to create dynamic indications is to use `\markup` objects.

>     moltoF = \markup { molto \dynamic f }

>     \relative c' {
>       <d e>16_\moltoF <d e>
>       <d e>2..
>     }

In markup mode, editorial dynamics (within parentheses or square brackets) can be created. The syntax for markup mode is described in Formatting text.

>     roundF = \markup {
>         \center-align \concat { \bold { \italic ( }
>                \dynamic f \bold { \italic ) } } }
>     boxF = \markup { \bracket { \dynamic f } }
>     \relative c' {
>       c1_\roundF
>       c1_\boxF
>     }

Simple, centered dynamic marks are easily created with the `make-dynamic-script` function.

>     sfzp = #(make-dynamic-script "sfzp")
>     \relative c' {
>       c4 c c\sfzp c
>     }

In general, `make-dynamic-script` takes any markup object as its argument. The dynamic font only contains the characters `f,m,p,r,s` and `z`, so if a dynamic mark that includes plain text or punctuation symbols is desired, markup commands that reverts font family and font encoding to normal text should be used, for example `\normal-text`. The interest of using `make-dynamic-script` instead of an ordinary markup is ensuring the vertical alignment of markup objects and hairpins that are attached to the same note head.

>     roundF = \markup { \center-align \concat {
>                \normal-text { \bold { \italic ( } }
>                \dynamic f
>                \normal-text { \bold { \italic ) } } } }
>     boxF = \markup { \bracket { \dynamic f } }
>     mfEspress = \markup { \center-align \line {
>                   \hspace #3.7 mf \normal-text \italic espress. } }
>     roundFdynamic = #(make-dynamic-script roundF)
>     boxFdynamic = #(make-dynamic-script boxF)
>     mfEspressDynamic = #(make-dynamic-script mfEspress)
>     \relative c' {
>       c4_\roundFdynamic\< d e f
>       g,1~_\boxFdynamic\>
>       g1
>       g'1~\mfEspressDynamic
>       g1
>     }

The Scheme form of markup mode may be used instead. Its syntax is explained in Markup construction in Scheme.

>     moltoF = #(make-dynamic-script
>                 (markup #:normal-text "molto"
>                         #:dynamic "f"))
>     \relative c' {
>       <d e>16 <d e>
>       <d e>2..\moltoF
>     }

Font settings in markup mode are described in Selecting font and font size.

#### See also

Notation Reference: Formatting text, Selecting font and font size, What goes into the MIDI output?, Controlling MIDI dynamics.

Snippets: Expressive marks.

Extend: Markup construction in Scheme.

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